My transition from becoming a conflicted Arab American Muslim to a conscious one was not automatic.
Media has always had a huge influence in my life. I’ve always been a consumer in that sense, constantly doing my research online trying to learn more about whatever it was what I was interested in at the moment. One of the turning points in my life was becoming exposed to the various mediums of art that Arabs around the world would use to express themselves. Mediums such as music and comedy, which already had a large impact on my life, became much more relatable, and the various Arab and Muslim artists showed me how possible it was to express yourself in a counter-hegemonic, socially conscious way yet still please a crowd.
I had the pleasure of interviewing Iraqi Canadian rapper/MC The Narcicyst, and Palestinian American comedian Dean Obeidallah about the ways in which they use their positions to create counter-hegemonic ideas that not only influence their own communities, but also other communities. In this post, I want to focus on the artists themselves; their statements, and the ways they counter popular discourses. The majority of this post will contain their statements.

Yassin Alsalman, also known as The Narcicyst, is an Iraqi Canadian rapper who I easily related to when meeting him and later on interviewing him over email. His music transcends cultural barriers and is appealing both to those similar to him as well as those very different from him. When asked about the ways he uses music to express his Arab identity, he commented, “It might have been overwhelming if I constantly spoke on my Iraqiness and how alien I feel. How would people relate to that? So Hip-Hop gave me a tool to filter my thoughts and present them as human experiences that hopefully a large audience could relate to, compared to marginalizing myself and only focusing on Iraqis understanding me…We tend to over-present our identity, almost in defense of who we are and what we were, as opposed to being as neutral as our experience is. In some cases, we seek to prove that we are MORE Arab than those in the Arab world, because we have to be. This, of course, is something that is not necessarily true, but that we fight to balance as a representative force, because our unique qualities are balanced with our commonalities of Immigration (identity issues, displacement, questions of belonging and home, etc).”
Alsalman’s statement made me realize just how important it is to showcase the Arab identity in the correct manner; making the Arab experience diverse yet relatable will show others that Arabs and Muslims and not all that different from anybody else. His analysis of the obligation Arabs feel to over-present themselves to defend their dignity is spot-on, and his methods of creating a fair balance is perfect in the sense that other Arabs and Iraqis can relate while somebody foreign to the culture can also gain an appreciation for the work.
Alsalman also commented on the necessity of counter-hegemonic media made by Arabs themselves, explaining that, “For the longest time, we blamed that hegemonic order of thought as being the sole reason we are misrepresented in the Media, but there is always two sides to every coin. As I got older and my music/art/education started becoming clearer and more direct, I realized it was time for our generation to stop blaming and begin addressing. If we want to shape a new image for ourselves, isn’t it our duty to really create and output media? How can we counter the hegemonic order of thought with criticism only? Can we not start tipping the balance, by creating our own media and images/sounds/films? I think we’ve reached that point now in our history, a decade and some after 9/11. It’s time for us to start drawing our image ourselves, not by erasing that which is drawn of us, but by picking up the pen ourselves, and reshaping our face.”

I also interviewed prominent Palestinian American Muslim comedian Dean Obeidallah, who commented on his experiences with the display of his comedy. His comment resonated very deep within me and it also supplemented Alsalman’s statement quite well, showing me the very importance of their point. Obeidallah reaffirmed the importance of drawing the image of Arabs ourselves by saying, “In 2003 I co-founded the NY Arab-American Comedy Festival in response to the backlash of 9/11 to show Americans and especially New Yorkers a different side to Arabs - a funny, likable side! Overall, I found that most Americans are open-minded and want to learn about other cultures. Obviously there are some bigots we will never reach but overall, Americans are not hateful people and are willing to see a different side when it is shown to them. The point being that we need to be the ones to go out and define ourselves accurately - we cant expect people outside of our community to learn about us on their own. In addition, we need to be the ones telling our stories so that it is told accurately”.
Both Obeidallah and Alsalman made the crucial point that we as Arabs need to be the ones to go against the stereotypes and as Obeidallah said, “define ourselves accurately”. If not us, then who? Obeidallah also makes an important point, that Americans are for the most part open to learning about Arabs, Muslims, and other cultures in general. Many people won’t go out of their way to learn more about Arabs and Muslims, so by putting ourselves out there in a funny way, or in other creative ways such as music, people will slowly begin to learn more about Arabs and Muslims, which will make a difference in and of itself.
Tying this all back into the main point, it was mediums like this that got me interested in producing counter-hegemony of Arabs and Muslims. Listening to The Narcicyst’s music and hearing his Iraqi dialect on the tracks gave me a sense of home and relatedness, yet hearing his amazing English verses showed me that his audience goes beyond just Arabs. Listening to Dean Obeidallah’s comedy and watching as not only Arabs, but also Americans could barely breathe from laughter showed me the importance of producing an ultimate meaning, a meaning that showed people that Muslims are not so different from everyone else. This inspired me and watching and listening to people like Dean and Yassin marked a turning point in my life, where I felt obligated and excited to begin to show those around me something they were not used to, Uncommon Sense.